James Mayo's Shamelady

Stephen Coulter (1914-1986) was an English author who wrote the five Charles Hood spy thrillers using the pseudonym James Mayo. The third of these spy novels was Shamelady, published in 1966.

I have the impression that Charles Hood’s backstory changed a little from one novel to the next.

In Shamelady he’s not exactly a spy or a secret agent or even a private eye. He works for a consortium of banks. He’s a kind of trouble shooter. It is mentioned in passing that he had worked for the Secret Service. He had killed for them, and apparently he has killed for the bankers as well.

As this story begins he has been instructed to meet a girl named Alex in New York. He has no idea what it’s all about but it presumably involves some kind of criminal activity or shady financial dealing.

Alex is apparently out of town but will be back on Boxing Day. It’s now Christmas Eve, so Hood has two days to kill. He finds himself at one of the legendary Christmas parties organised a very rich and eccentric couple, the Sessels. There are supposed to be some very friendly girls at these parties. Hood likes girls very much indeed. It’s an amusingly wild party but there is something not quite right. Hood can’t quite put his finger on what it is that makes him uneasy.

On the other hand he does meet Bonbon. She’s a charming witty very kooky redhead. He likes her a lot by the end of the evening he has discovered that she is also very good in bed.

The next day it’s back to work, arranging to meet Alex. And he discovers that she is now deceased.

This makes it even more likely that there is something big going down. Maybe Bonbon’s friend Rosario could be a lead. Rosario has become very very rich by marrying multiple times and marrying wisely.

Hood’s vague uneasiness increases. Just odd little things that worry him.

Pulling the strings is a diabolical criminal mastermind who is motivated not by money or power but by boredom. He needs to make his life exciting even if that involves extreme danger. Charles Hood has a similar outlook on life so he’s not entirely unsympathetic but on the other hand he is firmly on the side of law and order.

The plot involves gold, aeroplanes, perfume and exotic flowers (including one known as the Shamelady which opens up for you if you stroke it the right way). There’s also the island with the nude girl, the decaying chateau, some very scary henchmen, plagues of bugs and a super-computer named Lulu. Lulu is the key to various daring and insanely ambitious criminal enterprises.

This was of course 1966 so Lulu uses punch cards but this was a time when people were starting to have wild expectations of computers could do. It was also a time when it was starting to occur to some people that computers could be used for sinister purposes, such as crime.

Charles Hood is a charming womaniser. He firmly believes that the best way to get vital information from pretty female suspects is to sleep with them. And even if they don’t have useful information time spent making love to pretty girls is never time wasted. The arch-criminal likes girls as well. Everybody in this story likes girls, and the girls like men. It’s sexy in a good-natured slightly naughty way but not actually sleazy.

There’s enough action to satisfy any reasonable reader and there’s plenty of woman in peril stuff to keep the tension nice and taut. The tone is not actually tongue-in-cheek but it is witty and the plot is outrageous with some definitely bonkers touches. It’s the genuinely interesting arch-villain that makes this book really notable, and it’s a fast-paced and consistently enjoyable read. Highly recommended.

Paul Tabori’s The Doomsday Brain

The Doomsday Brain, published in 1967, was the first volume in Paul Tabori’s Hunters trilogy.

Hungarian-born Paul Tabori (1908-1974) wrote in various genres and his work tends to be wild and imaginative, rather eccentric and often brilliant.

The Doomsday Brain is a spy thriller with some science fiction elements.

An eccentric tycoon has established an international crime-fighting and counter-intelligence network known as The Hunters. They insist that they’re not in the business of revenge and they’re not vigilantes but since they track down criminals who have not been brought to justice by the proper authorities they certainly seem to have some vigilante tendencies.

Computers are malfunctioning all over the world. These do not appear to be random malfunctions, It’s beginning to look like there’s a conspiracy afoot.

It may have something to do with a German war criminal on the run. He now calls himself Master Brug. His mad scientist inclinations have led him to an interest in computers and their potential for mind control.

This mad scientist is fascinated by the idea that the human brain is a kind of organic computer (a delusion that still has its adherents today).

The trail leads the three Hunter field operatives to eastern Europe - to Poland, Hungary, Yugoslavia and Bulgaria.

There are various shady characters involved as well as an assortment of Eastern Bloc government and secret police officials some of whom may be thinking of defecting, some of whom may be double agents, some may be sympathetic to the Hunters and some may be in league that that German mad scientist. 

There is limitless potential for double-crosses. And a great deal of paranoia.

Naturally there are women involved, who may be dangerous or treacherous but they’re definitely willing to employ the arts of seduction.

Mind control in various forms was a major obsession in 1960s spy and sci-fi novels, TV series and movies. This novel is interesting because it deals with computers as a tool for world domination. This was 1967. Nobody really knew just how many things computer might potentially be used for. The idea that computers might be used for sinister purposes, for gaining power through the control of information, was beginning to gain traction. This is a novel about the use of computers to achieve world domination which was still a fairly exciting new idea for writers to explore.

Exactly how the computer mind control works does get glossed over a bit. But this is a spy thriller, not a textbook.

It’s a reasonably action-packed story, the Hunters make use of some cool and offbeat gadgets, there’s 1960s cutting-edge tchnology and it builds to a fairly wild climax (as Tabori’s novels tend to do).

The Doomsday Brain is decent entertainment and it’s recommended.

I’ve reviewed some of Tabori’s other books. His Demons of Sandorra is a superb provocative nicely crazy dystopian science fiction novel. The Green Rain is an intriguing sci-fi satire. The Wild White Witch (written using the pseudonym Peter Stafford) is hugely entertaining historical sleaze with admixtures of voodoo and witchcraft.

Sax Rohmer's The Green Eyes of Bâst

The Green Eyes of Bâst is a 1920 potboiler by Sax Rohmer. It’s a lurid mystery which may or may not deal with supernatural happenings.

It begins with a policeman receiving an odd instruction to visit the Red House to check that the garage has been locked properly. What’s odd is that everyone knows that the Red House has lain empty for some considerable time. Inside the garage is a large packing case marked with the design of a cat-like figure.

The narrator, a journalist named Addison, had accompanied the constable on his strange errand. And on that same night he had the impression of being followed by a figure that seemed both female and perhaps slight feline. What struck him most were the startling green eyes.

Shortly afterwards the body of Sir Marcus Coverly is found at the docks, in that very packing case.

A short time before Addison had been involved in a romantic triangle involving a pretty actress named Isobel and Eric Coverly, brother of the late Sir Marcus.

It will soon become apparent that another romantic triangle had formed, involving Isobel and the two brothers. Also, Eric Coverly has now inherited the baronetcy.

Inspector Gatton of Scotland Yard being an old friend our narrator is asked to consult, unofficially, on the case.

A significant clue appears to be a cat figurine. It is fact a representation of the Egyptian cat-goddess Bâst. There are other possible connections to Egypt. There’s a second rather striking and mysterious woman mixed up in the case. There’s a possibly sinister doctor, who seems to have an interest in things Egyptian.

There was a third Coverly brother, Roger, now deceased. His mother has possession of the family estate which will now eventually pass to Eric Coverly.

Quite a few of the characters have some connection to Egypt.

There’s a sprawling ancient house, once an abbey, now inhabited by Roger Coverly’s mother. And perhaps by a mysterious doctor. He may be a mad scientist but he is a student of the occult as well as being a student of science and those two interests can overlap in disturbing ways.

Madness of various kinds might be involved.

This could be simply a story of a family feud over an inheritance, but it could be something much stranger. There is evidence that points to unimaginable horrors and creatures that are neither human nor non-human. With Sax Rohmer you never know. You might get an entirely rational explanation at the end. Or you might get an explanation that challenges our entire understanding of the natural world. And in this case the weirdness might not necessarily be the kind of weirdness we’re expecting.

In this tale he demonstrates great skill in feeding us just enough hints of serious weirdness to keep us interested but he has no intention of revealing the truth until the end.

This is Sax Rohmer at the top of his game. Very highly recommended.

I’ve reviewed many of Sax Rohmer’s books. The Bride of Fu Manchu and The Mask of Fu Manchu are fine mid-period Fu Manchu books. The Dream Detective is a terrific collection of clever occult detective stories. The Leopard Couch and Brood of the Witch-Queen are typical of his excellent gothic horror fiction/weird fiction. The Sins of Sumuru introduces us to his final creation, the glamorous sexy female diabolical criminal mastermind Sumuru. Sumuru is a diabolical criminal mastermind with a genuinely objective in mind.

Charles Eric Maine’s Timeliner

Timeliner is a 1955 science fiction novel by Charles Eric Maine and it’s a time travel story, of sorts.

Charles Eric Maine (1921-1981) was a successful English writer of science fiction as well as detective fiction. He co-edited a science fiction magazine called The Satellite and wrote quite a few science fiction novels in the 50s and early 60s.

It is 1959 and Hugh Macklin is a British scientist engaged in top-secret research on time travel. His team has constructed a time travel capsule. Only it’s not time travel as such that he’s working on, but psycho time travel. What is psycho time travel? To tell the truth Hugh Macklin doesn’t really know. He believes it’s possible but he doesn’t know what will actually happen if it’s attempted. But he’s about to attempt it anyway. It works by dimensional quadrature. Macklin invented the technique but he doesn’t understand it.

His other current preoccupation is his marriage to Lydia which seems to be heading for the rocks. He’s a scientist so he has an analytical mind. He can’t deny that there is evidence suggesting that she is having an affair. But he’s a man and he does love her and he doesn’t want to accept that this might be true. Lydia will indeed betray him, but not in a straightforward way. His marital problems will soon complicate his scientific experiment.

The experiment is made. And now Hugh Macklin is Eddie Rayner and it’s 2035 and he’s on the Moon, in the newly established moonbase. Only he’s not really Eddie Rayner, he’s still Hugh Macklin. Only he’s not really Hugh Macklin any longer, he’s Eddie Rayner. And he has no idea how he got to the Moon and why it’s now 2035. The experiment was not supposed to work like this.

In Eddie’s wallet is a photograph of Eddie’s girlfriend Valerie. Except that the girl in the photo is Lydia. Only it isn’t. But it is.

And then he’s on Venus 400 years later. He’s now someone different but he’s still Hugh Macklin.

Macklin is now a timeliner but he doesn’t know it yet and he doesn’t understand the full implications although he is starting to become aware that there are some serious ethical and moral implications. He’s not comfortable about these things but he has no idea what he can do about. This is a science fiction novel that does confront ethical issues and it doesn’t do it in a simplistic way. Hugh Macklin is a scientist. He assumes that scientific and technological progress are always good, and if that means a scientist is tempted to do morally questionable or even reprehensible things well that’s the price of progress. At the same time he does feel uncomfortable about such things.

He’s not a straightforward hero. He’s certainly no villain. He is perhaps a species of mad scientist. He is blinded by his scientific ambition. This makes him reckless. His project is nowhere near sufficiently advanced to justify a live test but he goes ahead with one. He avoids facing up to ethical dilemmas. He doesn’t understand people particularly well. He’s fundamentally decent but he is definitely a flawed hero.

The psycho time travel is a clever and original idea and as Macklin slowly learns more it becomes more clever and more original. Affinities are the key. And the ethical problem involved is a rather nasty one.

Of course he would like to return to the 20th century but that appears to be impossible. He doesn’t know what went wrong in 1959. He does however know one curious fact which may be a clue.

Maybe he’s destined to remain a timeliner for all time. Maybe he’s trapped on a temporal rollercoaster.

An intelligent inventive science fiction novel with cool ideas and a bit of depth. I recommend this one very highly.

I’ve reviewed a couple of Maine’s other science fiction novels, Wall of Fire and Spaceways. The latter is excellent and was made into a very good movie by Hammer, Spaceways (1953).

Curt Siodmak's Donovan’s Brain

Donovan’s Brain is a 1942 science fiction novel by Curt Siodmak.

German-born Curt Siodmak (1902-2000) enjoyed success as an author, screenwriter and film director.

The fact that it’s about a disembodied brain kept alive in a laboratory might tempt some readers to dismiss this book as mere pulp science fiction but Siodmak was a writer with more substance than that.

He addressed a similar theme again much later in his excellent 1968 novel Hauser's Memory.

Donovan’s Brain is the story of a bizarre medical experiment carried out by Dr Patrick Cory. He is obsessed by the idea of keeping a brain alive outside the body. He has had limited success with monkeys. Then a golden opportunity is dropped into his lap. A light plane has crashed in the mountains. Dr Cory is first on the scene. A man in his sixties is horribly injured and his chances of survival are nil, but his brain is undamaged. Dr Cory is able to remove the brain. The brain is placed in a large glass jar filled with serum and surprisingly remains alive.

Keeping Donovan’s brain alive is all well and good but Dr Cory wants to find a way to communicate with it. There’s no doubt that Donovan’s personality still exists.

He finds a way to communicate but Donovan’s messages are rather cryptic.

There’s also a mystery story of sorts. Donovan’s behaviour just before the plane crash was puzzling. And Donovan has some odd obsessions. It’s possible that those obsessions now dominate his personality. Dr Cory needs to find out more about Donovan in order to make sense of whatever it is that Donovan is trying to tell him. Donovan’s surviving children may have their own reasons for not wanting Cory to learn certain things. It’s also apparent that they think Donovan told Dr Cory something important before dying (they of course do not know that Donovan is still alive after a fashion).

Donovan’s personality has to some extent taken lodgement in Dr Cory’s brain. And Donovan is a very strong personality. And, perhaps, not quite sane. Perhaps he was never quite sane.

The idea of two personalities, with conflicting agendas, occupying the same brain has been used countless times but it’s worth remembering that Siodmak was utilising this idea way back in 1942.

And he was doing it skilfully. Neither the reader nor Dr Cory have any reason to think that there is anything sinister about Donovan, at first. Donovan was a remarkable man. Dr Cory was particularly excited to have the opportunity to preserve his brain - it would be an opportunity to learn about the workings of the mind of a man who had achieved great success. And for quite a while Cory isn’t concerned. Donovan’s obsessions seem to be simply a desire to correct mistakes that he made. Nothing worrying about that. It’s only very gradually that Cory begins to suspect that perhaps Donovan was somewhat sinister. But what I like about this story is that Dr Cory is not having his mind invaded by the mind of a psycho killer. Donovan is more complicated than that.

Dr Cory is confident that he can remain in control. Donovan’s brain is just a mass of brain tissue sitting in a glass jar filled with nutrients.

This is a story focused not just on Donovan’s obsessions but on Dr Cory’s as well. They are perhaps similar in some ways - both are men driven by ambition. Dr Cory is driven by ambition in a good way. He wants to advance scientific knowledge. There’s no harm in that is there?

This is fine intelligent science fiction with some dashes of mystery and horror. Curt Siodmak certainly deserves to be appreciated more. Highly recommended.

And Siodmak’s Hauser’s Memory is very much worth reading as well.

Dr Death: The Gray Creatures

Dr Death: The Gray Creatures is a 1935 crime/supernatural horror pulp novel written by Harold Ward under the pseudonym Zorro.

Dr Death had made his first appearance a year earlier in the pulp magazine All Detective Magazine. He figured in four stories in that magazine. In 1935 All Detective Magazine was renamed Dr Death. Each issue would feature a Dr Death novel. The Gray Creatures was the second such novel, appearing in the March 1935 issue. In the event only three issues of the Doctor Death magazine were published although two further novels were written.

Dr Death is actually a brilliant but insane scientist, Rance Mandarin. He believes he has been chosen by the Almighty to restore the world to its proper order. This will require the destruction of modern civilisation. Dr Death’s first step was to be the assassination of the world’s top scientists. To Dr Death science is an evil that must be eradicated.

Jimmy Holm is the one man who may be able to stop Dr Death. Jimmy is a millionaire criminologist and a police detective whose speciality is cases involving the occult.

Dr Death’s chief assistant has been a beautiful young woman, Nina Ferrera. Nina turned against Dr Death and joined forces with Jimmy Holm. In fact they were to be married. Now Dr Death wants Nina back.

The most terrifying weapon in Dr Death’s arsenal is his ability to create zombies, or at least dead men brought back to life in a way that resembles zombies.

Dr Death’s latest target is a mysterious Egyptian named Harmachis. It appears that Dr Death thinks that Harmachis has access to the occult knowledge of Ancient Egypt.

Dr Death is now headed for Egypt to find a hidden tomb and Jimmy has to find a way to follow him without his presence being suspected. He also has to rescue Nina. Dr Death would never physically harm Nina. The worry is that he will manipulate her into serving evil purposes.

The voyage to that tomb in Egypt is by air, by yacht, by submarine and by truck. With lots of explosions and mayhem on the way.

There will be epic battles against supernatural forces.

There are monsters of various kinds. The monsters are genuinely weird and scary. There’s plenty of out-and-horror in this tale and it gets very creepy and grisly at times.

Of course there has to be a beautiful queen in such a story, and there is.

The action is relentless, the hazards are many and the body count is high. You are very unlikely to be bored by this novel.

Dr Death is an evil mad scientist rather than a sorcerer so while he appears to command supernatural forces some of those forces might in fact be scientifically created. There are however quite a few elements in the story that are difficult to explain away as anything other than supernatural.

The lines between the supernatural, the paranormal and the scientific are constantly blurred in this story which gives it a rather interesting flavour.

It’s also a story in which the evil genius has something more interesting in mind than a straightforward plan for world domination.

It’s all very pulpy and very exciting. This is great stuff and it’s a mystery to me that the Doctor Death magazine wasn’t a success. Dr Death: The Gray Creatures is highly recommended.

Don Wilcox’s Slave Raiders from Mercury

Don Wilcox’s Slave Raiders from Mercury was published in Amazing Stories in 1940. Cleo Eldon Wilcox (1905-2000) was an American science fiction author who wrote under a number of pseudonyms, most notably Don Wilcox.

Slave Raiders from Mercury opens in America in contemporary times. A carnival huckster has found an abandoned spaceship and has turned it into a major carnival attraction. Lester Allison (the hero of several other Wilcox stories) is a young man who meets a pretty girl named June at the carnival. People are queueing up to pay their fifty cents to sit inside the spaceship. Lester and June and a guy named Tyndall (who clams to be June’s boyfriend although she denies it) end up in the spaceship and then, much to everybody’s surprise, the spacecraft blasts off into outer space! And starts heading towards Mercury. What nobody knew was that it was an automated spacecraft controlled by slave traders on Mercury.

Mercury is inhabited by the Dazzalox, a degenerated dying race. They’re humanoid and mostly pretty similar to humans, apart from being very long-lived. The main interest of the Dazzalox is funerals - their own funerals. When you’re a thousand years old your funeral is something you look forward to. You have a great time, it’s a great status display, and then you go into a tunnel and you can look forward to a painless death. The Dazzalox may have been a great civilisation once but now they don’t even understand the technology that keeps their civilisation going. Apart from displays of status and owning slaves there’s not much else other than funerals that they’re interested in.

They don’t even need slaves. Everything is automated. Slaves are just a means of demonstrating status. The slaves are collected for them from Earth by a renegade Earthman named Kilhide. The slaves are all healthy young American males. Any slaves who aren’t healthy and young are painlessly disposed of.

It’s not that bad a life in some ways. Being a slave involves very little actual work.

Everything changes with June’s arrival. You see the Dazzalox have never seen a human female. They didn’t even know that human females existed. Now they know and they’re very excited. Mostly they’re excited by the novelty. Novelty is something they rarely get to experience. A human female is a major novelty and possession of such a novelty brings enormous status. The Dazzalox men are so excited that many are even prepared to cancel their own funerals. They all want to own a human female. They want Kilhide to bring them lots more Earth women.

The Dazzalox women (there are Dazzalox women) are not so happy about all this.

Lester Allison and June have of course fallen hopelessly in love. And Lester Allison’s thoughts have now turned to rebellion. But that means facing the Floating Chop. It’s likely to lead to a blood-drenched finale.

The dying civilisation angle is intriguing and it’s handled fairly well. The Dazzalox are decadent but it’s an interesting kind of decadence, centred purely on status displays. It’s a kind of senile decadence. The Dazzalox can be cruel but it’s a child-like kind of cruelty. They’re scarcely even aware of it. They’re not stereotypically evil. They’re just massively self-centred and self-indulgent.

Kilhide is the real villain and he’s just selfish and greedy.

Lester Allison is your typical all-American hero but in a quiet unostentatious way. He has to become a hero by force of circumstances. Mostly he’s motivated by his love for June. Without her he would have accepted his slavery as the other slaves have accepted theirs.

This is pure pulp science fiction, totally lacking in any literary aspirations, but with a few interesting ideas. It’s moderately entertaining silly fun if you’re in the mood for extra pulpy 1940s science fiction.

G-8 and his Battle Aces #1 The Bat Staffel

Robert J. Hogan (1897–1963) was an American pulp writer, best known for his aviation adventure stories. He wrote the Red Falcon and Smoke Wade stories for Popular Publications and from 1933 wrote 110 issues of the G-8 and his Battle Aces pulp magazine, each issue including a short novel. Hogan had trailed as a pilot during the First World War so wartime aviation stories were obvious subject matter for him. He also wrote seven Mysterious Wu Fang Yellow Peril pulp novels and later turned to westerns.

The Bat Staffel was the first of the G-8 and his Battle Aces novels. The hero is an American aviator and spy code-named G-8. There’s plenty of air combat (with G-8 almost single-handedly winning the air war) but there are some mild science fiction elements and hints of the occult and the supernatural although Hogan’s novel is not as outrageous (or as imaginative) as Donald Keyhoe’s roughly contemporary stories about Captain Philip Strange, the Brain-Devil.

There’s an evil German mad scientist, Herr Doctor Kreuger, who has come across mediæval legends of giant bats spreading death and destruction across the countryside with their poisonous bat breath. He decides that those giant bats will fly again, devastating France and allowing Germany to win the war. G-8’s job is to discover whether these giant bats are actual bats or ingenious machines, and to find a way to stop them.

G-8 gets some help from two heroic American flyers, Nippy Weston and Bull Martin. This gives G-8 the opportunity to explain crucial plot points to his side-kicks. In the process they shoot down most of the Imperial German Air Force. What chance do fifty Fokkers have against three Americans in their trusty Spads?

Hogan resorts to quite a few standard pulp plot devices. The chief villain, instead of doing the sensible thing and just shooting G-8 out of hand as a spy, carefully explains all the details of his master plan to him first and then of course G-8 escapes. Pulp villains just never learn not to do that. And the Germans just don’t seem to be able to tie up prisoners in such a way that they cannot escape. Of course it goes without saying that the Germans are all lousy shots, whether in the air or on the ground while G-8 and his buddies rarely miss. The Germans are all either evil or they’re fools. But of course this is what the pulp readership expected and wanted. Hogan understand his market.

The bats and their poison bat breath are a nicely sinister touch. The bats are almost impossible to destroy which makes them a suitably terrifying menace.

Hogan certainly knew how to pace a pulp story. This one hits the ground running and the action don’t let up. There are no romantic sub-plots to distract from the action (the readership of such tales was not going to want any soppy romance stuff). There’s no characterisation to speak of. G-8 is a square-jawed all-American action hero. The villain  is pure evil and degeneracy personified.

There are some plot holes but it’s pulp fiction and it’s fast-moving and the readers were unlikely to notice such details.

It might seem like I’m damning The Bat Staffel with faint praise but it’s actually pretty good fun. This is pulp fiction that is very very pulpy. As First World War aviation adventures go it’s not as good as Donald Keyhoe’s Strange War or The Vanished Legion but it’s still quite enjoyable and if you like air combat stories with a few hints of science fiction and weird fiction then I’d recommend it.

Adventure House have republished The Bat Staffel as well as quite a few of the other G-8 and his Battle Aces novels. Their edition also includes a short story by R. Sidney Bowen, The Floating Runt (which has been included in the original pulp magazine as well). It’s a rather contrived story about the rivalry between a pilot and a balloon observer. It's not great but since it's essentially a free added extra it would be churlish to complain too much.

The Global Globules Affair (The Girl from U.N.C.L.E. tie-in novel)

The Global Globules Affair, written by Simon Latter and published in 1967, was one of five tie-in novels associated with the short-lived television series The Girl from U.N.C.L.E. which aired on NBC in 1966-67.

Like the television series on which it’s based it’s a light-hearted and enjoyable mix of science fiction and spy thriller.

It’s basically harmless fun and if you’re a fan of the original television series it's worth a look. Here’s the link to my full review at Cult TV Lounge.

Otis Adelbert Kline's Jan of the Jungle

Otis Adelbert Kline (1891–1946) was an American pulp writer in the mould of Edgar Rice Burroughs. In fact he is sometimes dismissed as a mere imitator of Burroughs. Whatever sub-genres Burroughs worked in (or often invented) you could be pretty sure that Kline would soon be working in as well. Like Burroughs he wrote sword-and-planet adventures set on Mars and Venus, he wrote lost world stories and he wrote jungle adventure stories. An imitator he may have been, but at the time he was considered to be possibly Burroughs’ most serious rival in those genres.

Jan of the Jungle, published in 1931, is a jungle adventure tale about a boy raised by chimpanzees, which certainly does sound remarkably close to Burroughs’ most famous creation, Tarzan.

Jan is the son of a millionaire. For complicated reasons he is kidnapped as a baby by the evil mad scientist Dr Bracken and raised by a female chimpanzee. He can understand the primitive language of chimpanzees but he has no knowledge of any human languages. Since the book takes place in South America you may be about to object that there are no chimpanzees in South America but Kline has that objection neatly covered.

He escapes and has various adventures in the jungles of South America, with Dr Bracken pursuing him remorselessly. He also meet Ramona and falls in love with her. We will later discover that her personal history is as strange as Jan’s.

So far it sounds like an exact Tarzan clone but things are about to change. Jan chances upon the entrance to an underground river which takes him to a hidden valley. Jan of the Jungle is about to become a lost world tale.

At this point Kline decides to abandon any pretence at plausibility. The hidden valley contains not only a Mesoamerican lost civilisation but a huge variety of extinct animals, ranging from species extinct for thousands of years (such as sabre-toothed cats) to those that have been extinct for tens of millions of years (such as the stegasaurus). No explanation is offered for the survival of either the lost civilisation or the extinct animals. Not that it matters - if one demanded strict plausibility of lost world takes one would end with no more than a tiny handful to choose from.

There are two main sub-plots, the Jan sub-plot which concerns his parentage and Dr Bracken’s many attempts to recapture him, and the Ramona sub-plot which concerns her parentage and an attempt to kidnap her. Kline also at least pays lip service to the “boy caught between two worlds” theme but with an added twist since Jan is caught between three worlds - the modern world, the world of the jungle and the world of the hidden valley. To Jan it seems like the latter two are more likely to bring him contentment but then there’s the question of Ramona.

Dr Bracken is obviously a serious villain but in the hidden valley Jan will find another equally dangerous and treacherous enemy.

The important thing is that there’s enough here to satisfy the tastes of both jungle adventure and lost world fans and if you’re a straightforward fan of action and adventure you’ll find both those commodities in generous quantities.

Now if this had been an Edgar Rice Burroughs story there would have been a lot more attention paid to making the lost world more complex and more interesting and to explaining how it actually works. It would have been a much more fully developed lost world. Kline however has no such ambitions. He’s content to write an exciting pulp adventure yarn.

In other words there’s a reason Edgar Rice Burroughs is still a household name and Otis Adalbert Kline isn’t.

That’s not to say that there’s anything wrong with Jan of the Jungle. As long as you accept its pulp limitations it’s enjoyable. If you’re a Tarzan fan and you’ve read all the Tarzan stories or if you’re a lost world buff like me you’ll want to check this one out. Not great but still fun.

The Duel of Shadows

The Duel of Shadows, published by Crippen & Landru Publishers in 2011, includes eleven of Vincent Cornier’s Barnabas Hildreth stories, written mostly in the 1930s. 

Vincent Cornier was the pseudonym of William Vincent Corner (1898-1976), an English author whose stories often blurred the boundaries between weird fiction and detective fiction. Early in his career Cornier tried his hand at both science fiction and supernatural tales. He eventually came to specialise in detective stories, but detective stories of a rather unusual type.

Cornier’s stories appeared in various British magazines in the 1920s and 1930s and thereafter very sporadically until the 1960s. Several of his 1930s stories were republished in Ellery Queen’s Mystery Magazine in the late 1940s, Frederic Dannay (one half of the Ellery Queen writing team) being a great admirer of Cornier’s work.

Barnabas Hildreth himself is a somewhat unconventional detective. He is an agent of the British Secret Service but in between his official duties he amuses himself by solving crimes that appeal to him because of their bizarre nature.

The emphasis in these stories is not on detection as such. In some stories there is not even an actual crime in the technical sense. There is however always a mystery of some sort.

The mysteries are often very esoteric indeed. What connection could there possibly be between the murder of an English judge in 1932 and a Venetian glassmaker of the 16th century whose clients included the Borgias? It is unlikely that anyone but Barnabas Hildreth could find such a connection but that is exactly what he does in The Stone Ear, a strange but brilliant story that features one of strangest and most complex methods of murder to be found in crime fiction.

In The Brother of Heaven it is the background to the crime that provides the strange and exotic flavour, and a very exotic flavour it is.

The Silver Quarrel involves no actual crime but it does require Barnabas Hildreth to solve a mystery three centuries old, a mystery that involves hidden treasure and the unusual properties of 12th century Benedictine glass. It is a mystery the solution of which may well bring death. Glass with highly unusual properties seemed to be something of an obsession with Cornier.

In The Catastrophe in Clay a man is apparently turned into stone. This seems like a case that is likely to involve some supernatural agency but Barnabas Hildreth is certain there is a rational explanation. A rational explanation is however much more difficult to find in the The Throat of Green Jasper, in which the members of an archaeological expedition seem to be falling victim to an ancient Egyptian curse. Stories with ancient Egyptian themes were immensely popular in the 20s and 30s but Cornier manages to give his tale an original twist. This story is perhaps the closest approach to true weird fiction rather than detective fiction in this collection.

Some of the stories are about crimes committed by more or less conventional criminals, in others the criminal is very unconventional indeed while in at least one story we have a full-blown mad scientist with diabolical criminal mastermind tendencies. In other stories a crime appears to have been committed, but appearances can be deceptive. The Mantle that Laughed has some hints of the mad scientist to it as well.

Cornier delights in presenting rational explanations for the apparently inexplicable, but rational explanations that are themselves far more fantastic and bizarre than the supernatural. How can you rationally explain a man being shot by a pistol fired more than two centuries earlier? In the story The Duel of Shadows that is exactly what Barnabas Hildreth manages to do. Cornier displays a degree of enthusiasm for science than is matched by few other authors, in any genre.

Barnabas Hildreth himself is a bit like Philo Vance (though entirely lacking in Vance’s mannerisms that annoy so many readers) in that he proves to be an expert in just about every field of scholarship that can be imagined. For a man of unquestioned genius he is surprisingly lacking in arrogance. That’s not say he is entirely lacking in ego, but compared to a Sherlock Holmes, a Philo Vance or a Hercule Poirot he is modesty personified. He’s by no means dull and the stories do have a leavening of humour.

These stories are so ingenious, so varied, so intricately constructed and so hugely entertaining that their obscurity becomes a mystery in itself. For the tastes of the 1930s they probably crossed too many genre boundaries but for that very reason one would expect them to have built up a massive cult following in more recent years.

The Duel of Shadows is a collection that presents the reader with an intriguing blend of weird fiction and detective story, and with some of the most deliciously clever and bizarre ideas ever to be found in either genre. Very highly recommended.