Charles Eric Maine’s Timeliner

Timeliner is a 1955 science fiction novel by Charles Eric Maine and it’s a time travel story, of sorts.

Charles Eric Maine (1921-1981) was a successful English writer of science fiction as well as detective fiction. He co-edited a science fiction magazine called The Satellite and wrote quite a few science fiction novels in the 50s and early 60s.

It is 1959 and Hugh Macklin is a British scientist engaged in top-secret research on time travel. His team has constructed a time travel capsule. Only it’s not time travel as such that he’s working on, but psycho time travel. What is psycho time travel? To tell the truth Hugh Macklin doesn’t really know. He believes it’s possible but he doesn’t know what will actually happen if it’s attempted. But he’s about to attempt it anyway. It works by dimensional quadrature. Macklin invented the technique but he doesn’t understand it.

His other current preoccupation is his marriage to Lydia which seems to be heading for the rocks. He’s a scientist so he has an analytical mind. He can’t deny that there is evidence suggesting that she is having an affair. But he’s a man and he does love her and he doesn’t want to accept that this might be true. Lydia will indeed betray him, but not in a straightforward way. His marital problems will soon complicate his scientific experiment.

The experiment is made. And now Hugh Macklin is Eddie Rayner and it’s 2035 and he’s on the Moon, in the newly established moonbase. Only he’s not really Eddie Rayner, he’s still Hugh Macklin. Only he’s not really Hugh Macklin any longer, he’s Eddie Rayner. And he has no idea how he got to the Moon and why it’s now 2035. The experiment was not supposed to work like this.

In Eddie’s wallet is a photograph of Eddie’s girlfriend Valerie. Except that the girl in the photo is Lydia. Only it isn’t. But it is.

And then he’s on Venus 400 years later. He’s now someone different but he’s still Hugh Macklin.

Macklin is now a timeliner but he doesn’t know it yet and he doesn’t understand the full implications although he is starting to become aware that there are some serious ethical and moral implications. He’s not comfortable about these things but he has no idea what he can do about. This is a science fiction novel that does confront ethical issues and it doesn’t do it in a simplistic way. Hugh Macklin is a scientist. He assumes that scientific and technological progress are always good, and if that means a scientist is tempted to do morally questionable or even reprehensible things well that’s the price of progress. At the same time he does feel uncomfortable about such things.

He’s not a straightforward hero. He’s certainly no villain. He is perhaps a species of mad scientist. He is blinded by his scientific ambition. This makes him reckless. His project is nowhere near sufficiently advanced to justify a live test but he goes ahead with one. He avoids facing up to ethical dilemmas. He doesn’t understand people particularly well. He’s fundamentally decent but he is definitely a flawed hero.

The psycho time travel is a clever and original idea and as Macklin slowly learns more it becomes more clever and more original. Affinities are the key. And the ethical problem involved is a rather nasty one.

Of course he would like to return to the 20th century but that appears to be impossible. He doesn’t know what went wrong in 1959. He does however know one curious fact which may be a clue.

Maybe he’s destined to remain a timeliner for all time. Maybe he’s trapped on a temporal rollercoaster.

An intelligent inventive science fiction novel with cool ideas and a bit of depth. I recommend this one very highly.

I’ve reviewed a couple of Maine’s other science fiction novels, Wall of Fire and Spaceways. The latter is excellent and was made into a very good movie by Hammer, Spaceways (1953).

Henry Kuttner’s The Time Trap

Henry Kuttner’s novel The Time Trap was published in Marvel Science Stories in November 1938.

Henry Kuttner (1915-1958) was an American science fiction/fantasy writer who was married to C.L. Moore (one of my favourite weird fiction/science fiction writers).

As the title suggests The Time Trap is a time travel tale. A young archaeologist named Kent Mason discovers two strange metal monoliths in the ruins of an ancient city, Al Bekr. He is transported back into time, to a time when that city was no ruin but was something much stranger. It was the centre of an incredibly advanced civilisation. Impossibly advanced. Such technology could not have existed five or six thousand years ago.

The ultra-advanced technology in the city is from the distant future. This is the work of the Greddar Klon (known as the Master), a time traveller who seeks unlimited power. At some date in the distant future he built a time ship.

Mason makes a friend, a Sumerian named Erech. He battles robots. And he encounters a woman. Nirvor is astonishingly beautiful. Especially when she is naked, and she is indeed naked. Nirvor wants something very badly. She wants a man. Mason was more than happy to oblige, until he noticed something very disturbing about her eyes. There is also something disturbing about the eyes of her two pet leopards. Towards the end of the story both Mason and the reader will find out the secret of those eyes. And the secret of the leopards.

Mason encounters another woman, Alasa. She is a queen and she is encased, unconscious but alive, in a transparent capsule. The Master has stolen her city.

There is another time ship, built by someone other than the Master, or there will be if Mason can help Murdach to build it. Mason and his friends (including the beautiful queen Alasa, now revived) will have countless adventures in various time periods. They will come up against giant bugs, zombies and intelligent plants. They will come close to all kinds of horrifying fates. They will find themselves in a world of endless illusions. They will battle impossible odds.

And Mason will find out Nirvor’s secret.

The pacing doesn’t let up. There’s always some new danger just around the corner. Kuttner displays plenty of skill in providing weird and fairly original dangers for his protagonists to overcome. Each new time period is in effect a different world, briefly sketched but always interesting.

Mason is a pretty stock-standard hero although he’s a man with brains as well as brawn. Alasa is an appealing heroine. Greddar Klon is an effective villain whose motivations are just mysterious enough to make him interesting. Nirvor is dangerous and sexy.

The female characters spend most of the story naked, with Kuttner contriving plenty of reasonably plausible excuses to have them shed their clothes. This is a novel that aims to be lurid, and it is lurid although it’s mostly a tease. Every time Mason and one of the women are about to get to know each other really well some new crisis intervenes.

The action scenes are quite satisfactory.

The plot is nicely put together.

The book doesn’t get into time paradoxes in any substantial way. It’s just a wild romp through time with plenty of exciting adventure. I enjoyed it immensely. Highly recommended.

Armchair Fiction have paired this one with Hal Clement's The Lunar Lichen in a two-novel paperback edition. 

I reviewed another Henry Kuttner novel, Crypt-City of the Deathless One, a while back. It’s thoroughly entertaining as well. Henry Kuttner is a writer I’m starting to like more and more.

H. Beam Piper’s Time Crime

H. Beam Piper’s short novel Time Crime was originally published in two parts in the February and March 1955 issues of Astounding Science Fiction.

H. Beam Piper (1904-1964) was an American writer of science fiction (and wrote in other genres as well).

The premise is definitely interesting. At some point in the distant future human society has entirely exhausted all the resources of Earth. Human civilisation would have been doomed but for a lucky discovery - the discovery of billions of parallel universes and, even more importantly, the development of technology to allow humans to move from one timeline to another. With all those worlds to exploit the future of humanity is guaranteed.

This human civilisation is essentially a parasite civilisation, exploiting the resources of other civilisations. It is however a mostly benign parasite civilisation - humans have learnt to keep their exploitation of other worlds within strict limits, and to limit their interference in those other worlds. Making sure that those limits are respected, and keeping the timeline-jumping capability a secret from those other civilisations, is the job of the Paratime Police.

Now there’s a problem. An officer from the Paratime Police has discovered a shipment of slaves in the Esaron Sector and those slaves are from a different timeline. Slavery is a local custom in that timeline so the Paratime Police aren’t worried about that issue but transposing people from one timeline to another is forbidden and is a major security problem. In fact it’s a crisis.

Verkan Vall is the timecop who has to get to the bottom of the situation. He gets valuable assistance from his wife Hadron Dalla (recruited as a temporary timecop). He soon finds that he’s uncovered a vast conspiracy and it has major political repercussions.

The crime investigation aspect of the story is handled reasonably well but it’s the central idea (and the detail with which it’s developed) that makes this novel worthwhile. Each timeline represents a different history of human civilisation on Earth, ranging from Stone Age cultures to fairly advanced civilisations.

Piper makes the exploration of alternate timelines as adventurous as other writers made the exploration of other planets. In the Paratime world human civilisation is limited to Earth, Mars and Venus with interstellar travel having apparently never been developed. But with billions of timelines to choose from humans have access to much wider frontiers than even interstellar travel could have offered and of course the advantage is that in every timeline Earth is an inhabitable planet.

Piper went on to write a number of other Paratime stories and novels.

Don’t expect any attempts at characterisation or any emotional sub-plots - this is classic ideas-driven golden age science fiction. What matters is whether the ideas are good enough, and in this case they are.

There is some action, including a full-scale planetary assault.

Apart from having several divisions of highly armed troops at their disposal the Paratime Police also have access to high-tech mind control technology - they can erase memories and create false memories. This adds an additional layer to the novel.

There’s an interesting amorality to this story - this is an unapologetically exploitative society in which cynicism, corruption, deception, manipulation and political repression are taken for granted. And these are the heroes of the story. They’re the good guys. The difference between the good guys and the bad guys is that the good guys are better at lying and cheating. If you like idealism in your science fiction you won’t find any here.

Armchair Fiction have re-issued this book as part of their wonderful series of double-header paperbacks (this one has been paired with Leigh Brackett’s Last Call from Sector 9G).

Time Crime is a bit convoluted at times and it’s hard to keep track of the many characters since none of them has even a shred of personality and they all have similar sorts of names. It’s still recommended as an interesting early exploration of the infinite parallel universes idea.

John Buchan’s The Gap in the Curtain

Insofar as he is remembered at all these days, John Buchan is remembered for his spy thrillers like The 39 Steps. He also wrote tales of the supernatural. Whether The Gap in the Curtain is a supernatural tale, or science fiction, or horror, is difficult to say. It’s certainly interesting. A brilliant but possibly slightly unbalanced scientist discovers a means of lifting the curtain for a moment and gaining a glimpse of the future. This discovery allows six people to see, for a brief instant of time, a page from a newspaper from one year in the future. The book then follows the life of each of the six people up to that date a year in the future, and examines the way they deal with the knowledge they have gained. The trick to it is that what they each see is an isolated fact, taken out of context. It can enlighten, but it can just as easily mislead. They know one thing that is going to happen, but they don’t know how and why it will happen. The knowledge turns out to be surprisingly dangerous. Several of the participants in the experiment are politicians, who try to use what they’ve found out to advance their careers. One is a financier who hopes to make a killing on the stock market. Others discover more personal information, and are forced to re-evaluate their attitudes towards life and love and death. My copy was published as part of the Dennis Wheatley Library of the Occult back in the 70s, and while it isn’t what you’d expect from an occult thriller or horror story it’s an intriguing book full of odd political speculations and fascinating psychological insights.