Don Wilcox’s The Ice Queen

Don Wilcox’s short novel The Ice Queen was published in Fantastic Adventures in January 1943. It’s a lost civilisation tale, my absolute favourite genre.

The Ice Queen takes place in the 19th century. Jim McClurg is an artist. He’s been hired to make a visual record of a polar expedition organised by Lady Lucille Lorruth. Five years earlier her husband disappeared in the Arctic while on a fur-trading expedition. Lady Lucille would like people to think that she believes her husband is still alive and that the object of her expedition is to find him. Jim suspects that she’s only interested in those furs. In his final communication Lord Lorruth claimed to have collected a vast number of furs, worth a rather large fortune.

The brig Aurora is commanded by Captain French. He drinks a lot and does not appear to be very honest. It’s not clear whether Lady Lucille is angling to marry the captain for the sake of his fortune (he’s a rich man) or whether the captain is angling to marry Lady Lucille for the sake of that fortune in furs.

Jim is mostly interested in the girl on the tiger. She’s very pretty, she looks like a Viking maiden, she rides a pure white tiger and she’s been shadowing the Aurora. This is impossible of course. The girl cannot exist. And yet she does exist.

There’s a stowaway who knows far too much about this frozen wasteland, and seems to know all about the girl. She is apparently a queen. We later find out that her name is Veeva.

There are unexpected dangers in the Arctic. Huge ice bubbles appear from nowhere. Several members of the party are imprisoned in these bubbles. It is possible to dig one’s way out but they’re very disconcerting, and the worry is that an ice bubble forming over the ship might sink it.

There is also a strange lost world in these frozen wastes. Possibly a very ancient world although its origins are unknown even to the inhabitants. This lost world holds the answer to the disappearance of Lord Lorruth.

A complication is that every male member of the expedition is hopelessly in love wth the beautiful young ice queen while Lady Lucille sees her as a deadly threat.

The trick with lost civilisation stories is not just to make the lost civilisation interesting, but believable as well. There have to be plausible explanations for the strangeness of such a civilisation. Wilcox succeeds rather well on both counts. Veeva’s icy realm is strange but it makes sense. Even the fact that Veeva claims to be 22,000 years old makes sense. And the sleeping king ends up making sense. It all hangs together.

There’s a suggestion of menace about Veeva’s realm, but it’s a subtle menace. Veeva appears to be good-natured and cheerful. There doesn’t seem to be any reason for the expedition members to be afraid, and yet there’s something slightly sinister about it all.

There’s a suggestion that Veeva may have access to certain powers, possibly technological and possibly magical, and that technology or magic may be behind some of the mysteries of her kingdom, but it’s left nicely vague and ambiguous.

This books ticks all my boxes. I love lost world stories and I love adventure, horror or science fiction stories in polar settings. And how could anyone not love a pretty young heroine who rides a huge white tiger whilst wearing furs, a metal breastplate and a Viking helmet?

The Ice Queen is very pulpy but it has plenty of atmosphere, danger and excitement and it’s hugely enjoyable. Highly recommended.

I know almost nothing about Don Wilcox (1905-2000) other than the fact that he was American and his writing career seems to have been confined to the 1940s and 1950s. I have read another of his novels, Slave Raiders from Mercury, and it’s very pulpy but quite enjoyable.

Armchair Fiction have paired this one with Poul Anderson’s The Sargasso of Lost Starships in a two-novel paperback edition.

Bonnie Golightly’s Beat Girl

Bonnie Golightly’s Beat Girl was published in 1959. It’s included in Stark House’s three-novel Beatnik Trio paperback edition. I’m not at all sure how to categorise Beat Girl in genre terms.

Bonnie Golightly’s main claim to fame is that she sued Truman Capote for libel, alleging that Holly Golightly in his novel Breakfast at Tiffany’s was based on her. Her allegation was so flimsy that the matter never went to court. Bonnie Golightly wrote quite a few books. She later joined the counter-culture and wrote books about LSD.

One can’t help suspecting that the title Beat Girl was chosen (probably by her publisher) in a desperate attempt to cash in on the craze for all things Beat. There are beatniks in the book but they don’t appear until very late in the story.

Mostly it’s the tale of a rather mixed-up seventeen-year-old heiress, Chloe. After her mother’s death Chloe is packed off to an aunt in England. After a chance meeting with an old flame, a young American named Pritchard Allyn, Chloe decides to return to New York. Pritchard was the man to whom she lost her virginity some time earlier so he’s a bit special to her even though she’s since slept with countless men. Chloe at this stage is no beatnik but she is a bit of a wild child, and she’s a very rich wild child.

The entire book focuses on Chloe’s romantic dramas. Which is OK but if you’re expecting a sleaze novel or a hardboiled story or something noirish or beatsploitation (which are the kinds of things you would expect from a Stark House reprint) you’re going to be disappointed. It’s just a regular romantic melodrama with barely a hint of sleaze. I guess in 1959 a female protagonist who admits to promiscuity would have been shocking, and most sleaze fiction of this era is very tame, but in this case the actual sleaze content is close to zero.

And beatniks make only a very brief appearance, mostly as a warning to innocent young girls to stay away from these dangerous weirdos. Having the beatniks as dangerous weirdos might have been fun, except that they don’t seem very dangerous or very weird.

We get only the briefest of glimpses of the beatnik culture. We discover that they smoke joints and take their clothes off. That seems to be all they do.

Chloe is your basic spoilt rich brat. She’s the narrator and you may very well grow tired of her. She feels sorry for herself a lot. In fact most of the characters spend a good deal of time on self-pity. I guess being rich is pretty tough.

Of course nobody in Chloe’s family understands her. Her husband’s parents are horrible to her. They seem to regard her a spoilt rich brat. It’s hard to disagree with them. They’re also only moderately rich and didn’t go to the very best schools which makes them beneath contempt in Chloe’s eyes. We don’t know how Chloe feels abut the working class. She’s never met a working-class person. Apart from the servants of course. The servants look up to her, which is only right and proper as far as Chloe is concerned.

As you may have gathered it’s difficult to like any of the characters.

Chloe’s romantic woes are not especially interesting.

Overall the book just didn’t grab my interest very much at all. I don’t think I could seriously recommend it.

The other books in the Stark House Beatnik Trio are Dell Holland’s The Far Out Ones (which is very enjoyable) and Richard E. Geis’s Like Crazy, Man (which is so-so). I do think it’s cool that Stark House are making these very obscure beatsploitation titles available even if the genre does seem to be a bit hit-or-miss.

Modesty Blaise: Death of a Jester

The Titan Books paperback Death of a Jester includes three Modesty Blaise comic-strip adventures, all dating from 1971. By this time Enrique Badía Romero had replaced the deceased Jim Holdaway as the strip’s artist. His drawing style is subtly different from Holdaway’s but it’s very nearly as good.

In The Green-Eyed Monster the daughter of the British envoy to the small South American republic of Cuarembo is kidnapped by guerillas. They claim to be fighting for freedom.

Modesty and the president of Cuarembo, Machado, are old acquaintances from her criminal days. Machado was a cop then, and an honest one. Machado and Modesty developed a certain mutual regard and respect. Modesty is inclined to be very sceptical of the rebels’ claims but she isn’t very interested in politics. What matters is that she does not approve of hostage-taking. In fact she disapproves very strongly.

The kidnapped girl, Diana, is the ex-girlfriend of Modesty’s current boyfriend Gil. Diana is spoilt, selfish, bad-tempered and generally a very unpleasant young lady. The first time she met her Modesty threw her into a swimming pool. But Modesty still does not approve of hostage-taking.

President Machado knows where the hostage has been taken. Any attempt to launch a military assault would certainly result in the girl’s death. On the other hand Modesty and Willie Garvin might be able to do it stealthily. Gil volunteers to act as their guide.

It’s a difficult enough mission and Diana doesn’t make it any easier.

This is a solid story and we get to see the Nailer (one of Modesty’s tricks for getting out of tight spots) used, but not by Modesty.

In Death of a Jester a couple of hippies see a court jester killed by a knight in black armour. This sort of thing doesn’t happen in 1971, but they really did see it happen.

A crazy aristocrat is reliving the Middle Ages and taking it a bit too seriously. He’s also stolen something much more high-tech and much more dangerous. There are also lions to contend with.

Modesty and Willie manage to get themselves invited to the crazy earl’s castle. The earl tries to seduce Modesty and he thinks he’ll get suspicious if she doesn’t sleep with him, so she does sleep with him. It’s all in the line of duty.

Willie learns about jousting at first hand and Modesty gets to demonstrate her skill with a rapier.

The mock-medieval setting makes this a very entertaining adventure.

As is customary in her comic-strip adventures The Stone Age Caper begins with Modesty and Willie on holiday, this time in Australia. O’Donnell loved exotic settings and in 1971 I guess Australia qualified as an exotic locale. This is the Australia of the English imagination, bearing no resemblance to the real Australia, which makes it more fun in some ways. For the English of course Australia was Bondi Beach and the Outback.

It’s in the Outback that Willie finds the girl. Her name is Judy and she’s been deliberately left to die, stranded in the desert. Willie nurses her back to health. Speaking to Modesty by radio he tells her that Judy has mentioned a nickel mine. That gets Modesty’s attention. She’s just encountered an old acquaintance in Sydney, Mr Wu Smith from Macau. They know each other from Modesty’s criminal days. He’s planning a nickel fraud. Modesty had no intention of interfering. It’s none of her business. She isn’t a cop. But she figures she should join Willie to find out a bit more.

Of course Modesty and Willie get drawn into the affair and much mayhem ensues. Since this is Australia most of the mayhem involves boomerangs.

If you’re easily offended you’ll find something in every frame of this story to offend you. It’s not exactly in tune with today’s ideologies.

It was controversial at the time for featuring Modesty topless.

It’s a crazy story but fun in its way.

Three fine comic-strip adventures with Death of a Jester being the standout. Highly recommended.

I’ve reviewed lots of Modesty Blaise: the novels Modesty Blaise, Sabre-Tooth and I, Lucifer and the comic book collections The Gabriel Set-Up, The Black Pearl and The Hell-Makers.