Curt Siodmak's Donovan’s Brain

Donovan’s Brain is a 1942 science fiction novel by Curt Siodmak.

German-born Curt Siodmak (1902-2000) enjoyed success as an author, screenwriter and film director.

The fact that it’s about a disembodied brain kept alive in a laboratory might tempt some readers to dismiss this book as mere pulp science fiction but Siodmak was a writer with more substance than that.

He addressed a similar theme again much later in his excellent 1968 novel Hauser's Memory.

Donovan’s Brain is the story of a bizarre medical experiment carried out by Dr Patrick Cory. He is obsessed by the idea of keeping a brain alive outside the body. He has had limited success with monkeys. Then a golden opportunity is dropped into his lap. A light plane has crashed in the mountains. Dr Cory is first on the scene. A man in his sixties is horribly injured and his chances of survival are nil, but his brain is undamaged. Dr Cory is able to remove the brain. The brain is placed in a large glass jar filled with serum and surprisingly remains alive.

Keeping Donovan’s brain alive is all well and good but Dr Cory wants to find a way to communicate with it. There’s no doubt that Donovan’s personality still exists.

He finds a way to communicate but Donovan’s messages are rather cryptic.

There’s also a mystery story of sorts. Donovan’s behaviour just before the plane crash was puzzling. And Donovan has some odd obsessions. It’s possible that those obsessions now dominate his personality. Dr Cory needs to find out more about Donovan in order to make sense of whatever it is that Donovan is trying to tell him. Donovan’s surviving children may have their own reasons for not wanting Cory to learn certain things. It’s also apparent that they think Donovan told Dr Cory something important before dying (they of course do not know that Donovan is still alive after a fashion).

Donovan’s personality has to some extent taken lodgement in Dr Cory’s brain. And Donovan is a very strong personality. And, perhaps, not quite sane. Perhaps he was never quite sane.

The idea of two personalities, with conflicting agendas, occupying the same brain has been used countless times but it’s worth remembering that Siodmak was utilising this idea way back in 1942.

And he was doing it skilfully. Neither the reader nor Dr Cory have any reason to think that there is anything sinister about Donovan, at first. Donovan was a remarkable man. Dr Cory was particularly excited to have the opportunity to preserve his brain - it would be an opportunity to learn about the workings of the mind of a man who had achieved great success. And for quite a while Cory isn’t concerned. Donovan’s obsessions seem to be simply a desire to correct mistakes that he made. Nothing worrying about that. It’s only very gradually that Cory begins to suspect that perhaps Donovan was somewhat sinister. But what I like about this story is that Dr Cory is not having his mind invaded by the mind of a psycho killer. Donovan is more complicated than that.

Dr Cory is confident that he can remain in control. Donovan’s brain is just a mass of brain tissue sitting in a glass jar filled with nutrients.

This is a story focused not just on Donovan’s obsessions but on Dr Cory’s as well. They are perhaps similar in some ways - both are men driven by ambition. Dr Cory is driven by ambition in a good way. He wants to advance scientific knowledge. There’s no harm in that is there?

This is fine intelligent science fiction with some dashes of mystery and horror. Curt Siodmak certainly deserves to be appreciated more. Highly recommended.

And Siodmak’s Hauser’s Memory is very much worth reading as well.

Malko 4: Malko versus the CIA

Malko 4: Malko versus the CIA is one of the handful of Malko spy thrillers by Gerard de Villiers that have been translated into English. It was originally published in French in 1965 as S.A.S. contre C.I.A. and the English translation dates from 1974.

His Serene Highness Prince Malko Ligne, Count of the Holy Roman Empire, Knight of the Black Eagle, Knight of the Order of Landgrave Seraphim of Kletgaus, Knight of the Order of Malta works on a semi-official basis for the C.I.A. - semi-official so that the C.I.A. can plausibly deny everything afterwards. They trust Malko because he’s reliably anti-communist. Malko has no great interest in causes and he regards the C.I.A. with a certain amount of European aristocratic disdain but they pay well and he needs the money to repair his crumbling ancestral castle. He also likes women, the sorts of women who cost as much to maintain as a decaying castle.

French spy fiction of this period is interesting because the C.I.A. are not automatically the good guys and the Soviets are not automatically the bad guys. In this book the Russians are more or less good guys but mostly they just want to avoid getting mixed up in a mess that the Americans have created.

The mess is in Iran. This novel was written in 1965, years before the Islamic Revolution. Iran is under the control of the Shah, who was installed in power by the C.I.A. some years before. The Shah is little more than Washington’s puppet.

In this novel Malko is working for the C.I.A. to foil a plot by - the C.I.A. More specifically they have information that the C.I.A.’s Iranian bureau chief General Schalberg has hatched a plan to overthrow the government of Iran, on his own initiative. Given that Iran is a reliable U.S. puppet state this information is very upsetting. The worst thing is that the C.I.A. really don’t know exactly what is going on. General Schalberg might be the instigator of the crazy plot. The head of the Iranian secret police, General Khadjar, might be involved. The Russians might have fed the Americans phoney information about this plot. The Iranian communists are probably not involved since the Shah has had almost all of them killed.

The plot might involve the assassination of the Shah. And revolution. Revolutions are easy to set off but not so easy to control.

It doesn’t matter who originated the plot, it must be stopped. If Malko needs to do some killing that’s OK. That’s why the C.I.A. gives him these jobs - dirty jobs are his specialty. If he has to kill the rogue C.I.A. guy that’s OK as well.

Of course you know that Malko is going to get mixed up wth beautiful dangerous women. Beautiful Iranian women can be very dangerous - they tend to have husbands, fathers or brothers who don’t approve of decadent European aristocrats bedding their women. But you know Malko won’t be able to help himself.

There’s plenty of action including a wild aerial climax. There’s a full-scale gun battle. There is mayhem in the streets. Malko has narrow escapes. He is up against people for whom torture is not just a policy but an absorbing hobby.

In this adventure Malko doesn’t have to worry too much about the morality of any of the people or factions involved. They’re all equally amoral. It doesn’t matter if revolution against the Shah is justified or not - if the country explodes it will be a disaster for everybody. All Malko has to worry about is preventing that explosion.

I’m becoming a major fan of the Malko thrillers. They feature a hero who’s a bit morally ambiguous and somewhat ruthless but charming and deadly. Plenty of thrills. Some sexiness. Exotic settings. Interesting historical backgrounds. Morally complex stories. What’s not to love? Malko versus the CIA is an above-average spy thriller and it’s highly recommended.

I’ve reviewed three other Malko novels - West of Jerusalem, The Man from Kabul and Angel of Vengeance.

Sax Rohmer's The Green Spider

There was a lot more to Sax Rohmer than the Fu Manchu books. He wrote detective stories many of which had supernatural elements, or at least suggestions of the supernatural. And he wrote some fine gothic horror. Black Dog Books have collected a varied assortment of his early stories in The Green Spider: and Other Forgotten Tales of Mystery and Suspense.

The Green Spider (written in 1904) begins with a college servant named Jamieson discovering what appears to be a horrific murder. Someone has broken into the laboratory of Professor Brayme-Skepley, wrecked everything and murdered the professor. The body however is not there. There is evidence that suggests that the professor was forcibly removed from the premises (either dead or alive) but there is other evidence that suggests that such a thing could not have happened. And there’s the matter of the giant green spider seen by the servant.

The Death of Cyrus Pettigrew involves the sudden death of a man on a train. The only other person in the compartment was Miss Pettigrew, his niece and ward. The doctor who examines the body has no doubt that Cyrus Pettigrew was poisoned but the means by which the poison was administered remains mysterious. This is an impossible crime story, and a pretty good one.

The Mystery of the Marsh Hole dates from 1905 and is a disappointing and contrived story of a disappearance in the marshes.

The Sedgley Abbey Tragedies from 1909 begins with an escape from a lunatic asylum. Soon afterwards a body is found in an abbey moat. The explanation is clear-cut and the case is closed and the drama is over. Except that more bodies turn up in the moat. A good story with some fine twists.

The Mysterious Mummy is an OK very early story (from 1903) about odd happenings in a museum. A mummy is there, and then it isn’t there.

The McVillin (from 1905) concerns a well-born but impoverished Irish officer, Colonel McVillin. In fact he’s now a penniless rogue and adventurer. He finds himself involved in an affair of honour although he has no idea what it is all about. Something about a young lady being forced into a marriage against her will. McVillin will have to fight the duel anyway. A delightfully quirky mix of cynicism, romanticism and mystery. Splendid stuff.

Who Was the Rajah? dates from 1906. A masked ball onboard a steamer ends in piracy on the high seas. A very clever and witty caper story.

The Secret of Holm Peel, published in 1912, takes place on the Isle of Man. There’s a castle that once belonged to the king and a family secret that must be kept. There are secret passageways and phantom dogs. Good fun.

The Dyke Grange Mystery, from 1922, is a puzzle-plot mystery with some exotic touches. Private detective Paul Harley and Inspector Wessex are investigating the murder of a dissipated nobleman. An unusual dagger of Egyptian origin sees to be an important clue. Along with an assortment of cigarette stubs. An entertaining tale.

The Haunting of Low Fennel dates from 1920 and is an unusual and excellent haunted house tale. Major Dale would like to sell Low Fennel, an old house that has been in the family for centuries and has always had an evil reputation. He turns to ghost-hunter Addison for help. I’m not going to risk even the mildest spoiler but this is definitely not a run-of-the-mill haunted house story.

The Blue Monkey was published in 1920. A man is on his way home, on a lonely path through the moors. He is carrying a parcel - a blue porcelain monkey he has just purchased. The man is found dead. He has been strangled. No mystery there, but the only tracks leading from the crime scene seem to belong to a small child. A good solid mystery.

The Zayat Kiss was written in 1912. It’s extremely important since it arks the first appearance of Nayland Smith and Fu Manchu.

The Six Gates of Joyful Wisdom dates from 1915 and is an excerpt from The Return of Fu Manchu.

The Green Spider is a fine collection and is highly recommended.

More of Rohmer’s early short stories can be found in another Black Dog Books volume, The Leopard Couch and Other Stories of the Fantastic and Supernatural, which is also recommended. Also very worth getting hold of is The Dream Detective, a very fine collection of occult detective tales. And there’s some great fiendish occult wickedness in Brood of the Witch-Queen.

Honey West - Girl on the Prowl

Girl on the Prowl, published in 1959, was the fifth of G.G. Fickling’s Honey West private eye thrillers. G.G. Fickling was in fact a husband-and-wife writing team.

Honey West inherited a private detective agency from her murdered father. Honey handles all the cases herself. She’s cute and sexy but she’s a hard-nosed professional PI.

You know this is a real Honey West book because by the end of the second paragraph Honey is naked. It’s not her fault. She just has really bad luck with her clothes. They just keep falling off. In this case she is, or was, wearing a bikini but with her 38-inch bust Honey was just too much woman for her bathing suit. Poor Honey will lose her clothes on several further occasions. It’s just one of those things that a lady PI has to deal with.

Luckily a hunky guy, Kirk Tempest, comes to her rescue but when he takes her back to his house to find some clothes for her he starts to get fresh. They have a bit of an altercation, they both end up falling into the swimming pool and Kirk is now very dead. But that wasn’t Honey’s doing. He’s dead because he’s impaled on a spear from a spear-fishing gun. It’s a bizarre accident. It was an accident because there was no-one around. Except that maybe it wasn’t an accident.

There were two Tempest brothers and a sister. The sister Jewel, is a famous strip-tease artiste. Her gimmick is that she always a gold mask over her face. There may be a reason for this. She may have been disfigured in a fire. But everything about the Tempest siblings is mysterious. The relationship between them is very mysterious. Love, hate, jealousy and other assorted passions were involved.

Jewel’s other trademark is her gold G-string. And a gold G-string is now a vital piece of evidence;. This particular G-string may have been concealing something other than the thing that G-strings are designed to conceal. It might conceal valuable information.

There will be lots of women wearing gold masks in this story. How many women? Who can tell? They are after all wearing masks.

There’s more than one gold G-string as well. And somebody wants to get their hands on one or more of those G-strings.

Jewel Tempest is to be interviewed on a TV talk show. At this point the authors begin their campaign of deception. Whenever Jewel makes an appearance we can never be sure it is really her, and none of the other characters can ever be sure either. There’s doubt about the identities of all three siblings. And there’s a woman who may be masquerading as Jewel, and possibly there’s a woman masquerading as a woman masquerading as Jewel.

The Tempests are mixed up with various showbiz people. All of them are sleazy, dishonest, greedy and ambitious and they’re all entwined in a web of mostly perverse sexual betrayals and jealousies.

The Honey West novels are all fast-moving and fairly hardboiled and they’re all sleazy but mostly they’re sleazy in a fun good-natured way. Girl on the Prowl amps up the perversity factor quite a bit.

Honey is not quite a stereotypical modern kickass action heroine. The Honey West novels are not non-stop fistfights and gunplay and martial arts action. Honey can handle herself but mostly she relies on her wits. She’s a private eye, not a super-heroine. She’s very good at nosing around in things that are none of her business, and persuading people (through charm, sexual allure and cunning) to tell her things they’d rather not tell her. She just keeps plugging away a a case until she gets results and she doesn’t mind exposing herself to danger.

Girl on the Prowl boasts an outrageous plot but it’s a lot of fun. Highly recommended.

I’ve reviewed other Honey West novels - This Girl For Hire, Girl on the Loose, A Gun for Honey, Honey in the Flesh and Kiss for a Killer.

I’ve also reviewed the excellent 1965-66 Honey West TV series that starred Anne Francis.

Michael Crichton's The Andromeda Strain

During the 1960s Michael Crichton had written several thrillers under pseudonyms. The Andromeda Strain, which appeared in 1969, was his first novel published under his own name and was his first foray into science fiction. It is perhaps better considered as a techno-thriller since the technology in the story is cutting-edge present-day tech rather than futuristic tech.

The Andromeda Strain was made into an excellent 1971 movie.

It all begins when the Scoop VII satellite returns to Earth. There is something important about that Scoop satellite which is revealed early in the novel but is kept under wraps until very late in the movie. It doesn’t come down where it was supposed to. It comes down near Piedmont which is a tiny town, more a hamlet really, in Arizona. A couple of Air Force guys are sent to retrieve it. They don’t come back, but they do transmit a disturbing message. Everybody in the town is dead. A flyover by a reconnaissance jet confirms that disaster has struck Piedmont. There are bodies everywhere. Including the bodies of the two Air Force guys.

This means a Wildfire Alert has to be activated.

Project Wildfire was set up to deal with the possibility that a spacecraft might one day return to Earth carrying an extraterrestrial organism. This is most likely to be a micro-organism. The possibility that such an organism could be dangerous has been considered. Wildfire can deal with this. They have an incredibly well-equipped underground laboratory in Nevada with layer upon layer of security. There is no chance at all of a micro-organism getting loose once it’s been isolated at the Wildfire lab. When a Wildfire Alert is called a team of five crack scientists will be assembled at the Wildfire lab. If these guys can’t figure out what makes an extraterrestrial organism tick and how to deal with the possible dangers then no-one can.

And there’s one final absolutely foolproof safeguard. If something goes wrong the lab will self-destruct. There’s a nuclear warhead there to take care of this. And of course if a spaceship returns to Earth carrying alien organisms the landing site will be nuked.

If there’s a theme to this book it’s that no matter how much thought you put into preparing for possible disaster, no matter how many levels of security you have, some minor unpredictable thing will always go wrong. And even the most brilliant scientists can make very simple mistakes.

There’s obviously a deadly micro-organism. It is given the name the Andromeda Strain. But it seems to work in bizarre ways. It kills with breathtaking speed. Except when it doesn’t. Then it kills slowly. And there were two survivors. They seem totally unaffected. But they have nothing in common.

And then there’s the crash of the Phantom jet. Something very very strange caused that crash. Something that cannot be connected to the extraterrestrial organism. And yet it must be connected. The Phantom crashed immediately after flying over Piedmont.

Crichton goes to great lengths to give the impression that this is some kind of semi-official account. He gives us printouts of scientific test results. We’e not expected to read them. They’re there to make it seem like the author had access to official documents. The style is very brisk and matter-of-fact. It all works. We feel like this could all have really happened.

Crichton doesn’t get distracted by character stuff. That would ruin the illusion that this is an historical account of real events. And science fiction doesn’t need characterisation. It gets in the way. Crichton keeps his story moving along very briskly. We don’t want the book slowed down by the internal emotional agonising of the characters. We just want the facts.

There’s an intriguing scientific mystery to be solved and there’s plenty of suspense. The reader knows things that the Wildfire scientists don’t know, and we know that this really is a race against time.

The Andromeda Strain is top-notch stuff. Highly recommended.

Modesty Blaise: The Iron God and The Wicked Gnomes

Two more Modesty Blaise comic-strip adventures by Peter O’Donnell from 1973 and 1974, The Wicked Gnomes and The Iron God, reprinted by Titan Books in 1989.

By this time Enrique Badía Romero was well established as the Modesty Blaise artist (the original artist Jim Holdaway having passed away in 1970). Apparently O’Donnell would write the comic strips accompanied by crude stick-figure illustrations to give an idea of the action. They would then be sent to Spain where Romero would do the art work. The arrangement worked because right from the start Romero “got” Modesty Blaise. He knew exactly what O’Donnell wanted.

Romero’s style was subtly different from Holdaway’s but Romero maintained the essential feel.

The Wicked Gnomes was published in the Evening Standard from May to September 1973. Maude Tiller is a cute British spy who worked on a previous case with Modesty and Willie. Now she and Willie are having a romantic weekend together, until Maude is kidnapped by Salamander Four. Salamander Four is a freelance International espionage group, very efficient, very ruthless and totally without ethics. Modesty has crossed swords with them before. In this case the Salamander Four operatives are two very creepy killers.

Their plan is to exchange Maude for Pauline Brown, a communist spy currently serving a prison sentence in Britain. Tarrant, the British secret service chief for whom Modesty and Willie often work on a freelance basis, knows that there’s no way to stop Modesty and Willie from being involved. He assumes they’ll do the logical thing and start trying to find Maude to rescue here but Modesty has a much more unconventional plan in mind. Tarrant would not approve, so she doesn’t tell him.

Modesty ends up in a magic grotto dressed as a fairy queen. She’s done crazier things.

A good story with some nice touches and some decent action and Maude Tiller is a fun character. You don’t want to make Maude angry. She’s a sweet girl but she is after all a trained killer.

The Iron God appeared in the Evening Standard between October 1973 and February 1974. Both Modesty and Willie are in Papua where their light plane has to make a forced landing. They encounter a Papuan nurse who is in a lot of trouble. The local tribe isn’t very friendly. They’re head hunters, and they’re being led by a mad bad Irishman, O’Mara.

O’Mara is there because of the Iron God. I won’t spoil things by telling you what the Iron God is but you can see why O’Mara is so interested in it. And he has need of certain skills that Modesty and Willie possess.

Modesty and Willie have to do some quick thinking.

There’s quite a clever little plot here. If Modesty and Willie do what O’Mara wants he will then kill them so they have to play for time and that’s quite a challenge.

A very good story.

In fact they’re both fine stories. The Modesty Blaise formula was well and truly established by this time - exotic locales, colourful villains, outlandish criminal schemes, plenty of action, a hint of romance and a touch of sexiness. And plots that invariably hinge on the extraordinary communication and understanding between Modesty and Willie. Modesty Blaise fans will enjoy these tales. Highly recommended.

I’ve reviewed other early Modesty Blaise comic-strip collections, The Gabriel Set-Up, Warlords of Phoenix and The Black Pearl, as well as the first three novels - Modesty Blaise, Sabre-Tooth and I, Lucifer.