Leiber wrote a vast number of these stories beginning in 1939, with the final story being written in 1988. In 1970 the stories were collected in seven paperback volumes arranged in internal chronological order (which was wildly different from the publication order). Swords and Deviltry was the first of the seven volumes.
In these three tales we see two young men discovering their destinies, but this is sword-and-sorcery not high fantasy so while their destinies will involve deeds of heroism they’ll also involve a good deal of thieving. Fafhrd and the Gray Mouser are not exactly law-abiding citizens. In fact they’re rogues and criminals, but rogues not entirely lacking in honour.
Leiber was determined that if he was going to write sword-and-sorcery he was not going to write mere Conan pastiches. He created his own distinctive style of sword-and-sorcery.
Leiber’s Fafhrd and the Gray Mouser were perhaps the single most important influence on the development of Dungeons and Dragons. The world of Fafhrd and the Gray Mouser is the world of D&D, created by Leiber thirty years before anyone had thought of role-playing games.
The first story in this collection, the novella The Snow Women, was written in 1970 and it introduces us to Fafhrd. He is eighteen years old, a young giant, still dominated by his mother but chafing at this domination. Home for the Snow Clan is the frozen northern wastes. The Snow Women are witches.
Each year a travelling show arrives, much to the delight of the men and the horror of the women who strongly disapprove of fun of any sort.
Fafhrd has rescued a female dancer, Vlana, from the jealous wrath of the Snow Women and that is likely to cause a breach with his mother. Fafhrd is captivated by the free-spirited slightly wicked Vlana but he has been courting a local girl, Mara. He is caught between these two very different women.
This is a tale that give us a very detailed backstory on Fafhrd. I’m not necessarily a fan of detailed backstories but this one does set up some of the important themes of this story cycle. The clash between barbarian and civilised societies is a perennial theme of sword-and-sorcery with, usually, a contrast being drawn between the freedom, bravery and nobility of barbarians and the corruption and wickedness of civilisation. In this story Leiber turns that on its head. The Snow Clan is a society run entirely by women. It is a repressive stifling rules-obsessed pleasure-hating society. The Snow Women ruthlessly crush anyone who defies the rules.
Vlana comes from the world of civilisation, a world of freedom and pleasure and opportunity, a world to which Fafhrd longs to escape. Fafhrd wants to breathe free city air. This is the story of Fafhrd’s first steps on the road to adventure.
The short story The Unholy Grail had originally been published in 1962. This gives us the Gray Mouser’s backstory. He was a young man known as Mouse, an apprentice wizard. An apprentice to a very humble country wizard named Glavas Rho. He is teaching Mouse white magic although he suspects that the young man may well be tempted to dabble in darker forms of magic.
The cruel and ruthless local lord abhors wizards, for reasons connected to his now deceased wife - a woman he feared greatly. The duke both fears and hates his daughter Ivrian. And the daughter has formed a secret tentative romantic attachment to Mouse. This is a situation that is likely to end badly, and it does.
This is a story of jealousy, betrayal, suspicion and revenge and the meek young man known as Mouse becomes a more morally ambiguous but much more formidable figure, the Gray Mouser.
In the third story, the novella Ill Met in Lankhmar, we find out how these two slightly disreputable adventurers meet. They are, independently, doing some freelance thieving in Lankhmar. A dangerous thing to do - the Thieves’ Guild deals ruthlessly with outsiders. Fafhrd is living with Vlana while the Mouser is shacked up with Ivrian.
Fafhrd had made an unwise vow to Vlana, to aid her in revenging herself on the Thieves’ Guild. And now Fafhrd and his new friend the Gray Mouser, having had rather too much to drink, have foolishly decided on a head-on clash with the Guild.
Leiber handles the sorcery elements extremely well. The Snow Women’s snow magic consists entirely of a mastery of the power of coldness. And you can be in the grip of sorcerous power without being aware of it.
Leiber’s sword-and-sorcery can switch very quickly between lighthearted adventure and real darkness.
In the third story, the novella Ill Met in Lankhmar, we find out how these two slightly disreputable adventurers meet. They are, independently, doing some freelance thieving in Lankhmar. A dangerous thing to do - the Thieves’ Guild deals ruthlessly with outsiders. Fafhrd is living with Vlana while the Mouser is shacked up with Ivrian.
Fafhrd had made an unwise vow to Vlana, to aid her in revenging herself on the Thieves’ Guild. And now Fafhrd and his new friend the Gray Mouser, having had rather too much to drink, have foolishly decided on a head-on clash with the Guild.
Leiber handles the sorcery elements extremely well. The Snow Women’s snow magic consists entirely of a mastery of the power of coldness. And you can be in the grip of sorcerous power without being aware of it.
Leiber’s sword-and-sorcery can switch very quickly between lighthearted adventure and real darkness.
These three stories tell you all you need to know about what makes these two slightly disreputable slightly cynical heroes tick and will leave you thirsting for more of their adventures. Highly recommended.



Strongly agree, his work is brilliant!
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