Arthur J. Burks (1898-1974) wrote for pulp magazines in various genres and later began writing on paranormal subjects.
These stories really are wildly original and very very weird. They’re weird in totally unexpected ways. Even the weaker stories are interesting because they’re so bizarre.
Bells of Oceana appeared in Weird Tales in 1927. A young officer on a troopship has an uncanny feeling that something is wrong. Perhaps it’s the bells he hears. There cannot be any bells but he still hears them. He thinks for a moment he sees a face at a porthole but that’s impossible as well. And then one of the sentries cannot be found. Things get stranger. The woman he sees cannot be real. It must be a dream. Or perhaps not. A nicely odd tale of terror at sea.
Room of Shadows appeared in Weird Tales in 1936. A well-to-do man checks into a hotel in New York. There’s something odd about the room. There’s that scent, and the light seems strange. And later the bellhop denies have taken him to the room. The dogs are disturbing. Very very small dogs. The woman disturbs him as well. She went into the bathroom and then seemed to vanish. A very unusual creepy tale that gives a new twist to an old legend. Excellent story.
Black Harvest of Moraine (published in 1950) is truly bizarre. A wheat harvest turns into disaster. The wheat is infected with smut (a fungal crop disease). Only it turns out not to be smut but something much stranger. It is something ancient and evil, and terrifying and remorseless.
The Ghosts of Steamboat Coulee (1926) is obviously going to involve ghosts of some sort, but but this is an unconventional ghost story. A returned soldier dying from the effects of being gassed in the war is offered refuge in a remote log cabin. He hears an infant wailing. It is impossible, but he has to check. Then he sees something horrifying. He sees it again and again. Very good story.
Luisma’s Return (1925) takes place on Haiti. Luisma is the general of the emperor of Haiti, Christophe. The emperor has stolen Luisma’s woman. Luisma wants revenge. It is impossible. Christophe’s power is absolute. But Luisma is determined. An OK story.
Rhythmic Formula (1952) is a neat little story about Russ Creavey, a famous explorer who becomes very rich by marrying rich wives. They don’t live too long thanks to some tricks Russ picked up in the Amazon rainforest. Russ is now set for life. Nothing can go wrong. Good story.
Orbit of Souls (1926) concerns a rich man whose wealth was built on lies and deception facing the ire of one of his victims. He never thought he might one day pay for his misdeeds. He still doesn’t think he’ll have to but a series of strange events might change his mind. An OK story.
Morpho on the Screen (1954) is about a young boy who has vivid dreams about riding butterflies in the Amazon rainforest. The dreams continue as he gets older. A very very strange tale but fascinating.
In Asphodel (1926) the narrator meets an old hermit. He then finds himself in a meadow of asphodels, the flowers of death. What follows might be merely a dream, or perhaps not. Very weird but rather disturbing.
When the Graves Were Opened (1925) is a very weak story of time travel, of a sort. A man is transported back to the time of Crucifixion.
Voodoo (1924) is one of his earliest stories and one of several with a Haitian setting. It’s a straightforward not very interesting story of a soldier seeking revenge on a voodoo priest.
Vale of the Corbies (1925) is another reasonably effective tale of frightening dreams.
The Invading Horde (1927) is oddly enough a science fiction story set in the future, in the vast City of the East which covers the whole of the eastern half of the United States. The city is a miracle of technology. People move about the city in monopters which are like wearable flying suits. Now the City of the East faces a deadly threat from the sea.
Something Toothsome (1926) begins with two Army officers, one of them an army dental surgeon, discussing writing. They both have ambitions in that direction. They concoct crazy story about a murder involving dentistry. But of course it could never happen in real life, or could it?
Some of these stories will definitely shock the delicate sensibilities of some modern readers.
Overall a good collection with the strong stories outnumbering the weaker ones. And Burks can certainly get very weird indeed. Recommended.
Morpho on the Screen (1954) is about a young boy who has vivid dreams about riding butterflies in the Amazon rainforest. The dreams continue as he gets older. A very very strange tale but fascinating.
In Asphodel (1926) the narrator meets an old hermit. He then finds himself in a meadow of asphodels, the flowers of death. What follows might be merely a dream, or perhaps not. Very weird but rather disturbing.
When the Graves Were Opened (1925) is a very weak story of time travel, of a sort. A man is transported back to the time of Crucifixion.
Voodoo (1924) is one of his earliest stories and one of several with a Haitian setting. It’s a straightforward not very interesting story of a soldier seeking revenge on a voodoo priest.
Vale of the Corbies (1925) is another reasonably effective tale of frightening dreams.
The Invading Horde (1927) is oddly enough a science fiction story set in the future, in the vast City of the East which covers the whole of the eastern half of the United States. The city is a miracle of technology. People move about the city in monopters which are like wearable flying suits. Now the City of the East faces a deadly threat from the sea.
Something Toothsome (1926) begins with two Army officers, one of them an army dental surgeon, discussing writing. They both have ambitions in that direction. They concoct crazy story about a murder involving dentistry. But of course it could never happen in real life, or could it?
Some of these stories will definitely shock the delicate sensibilities of some modern readers.
Overall a good collection with the strong stories outnumbering the weaker ones. And Burks can certainly get very weird indeed. Recommended.
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