Willard E. Hawkins (1887-1970) wrote a smallish quantity of short form science fiction from the 1920s to the 1950s. Scratch One Asteroid seems to have been one of his last published stories.
The background to the story is that Mars and Venus have been colonised. Both planets had their own native inhabitants (in 1952 this still seemed vaguely plausible) but there is no interstellar space flight.
Brent Agar and Pete Monson are convicts on their way to the prison planetoid Ceres. Brent is determined to escape. When he finds out that there is, very unusually, a woman aboard the prison spaceship he thinks his chance has come. Her name is Vesta Clement, she’s a passenger and she’s being dropped off at a private resort planetoid. Brent and Pete hijack Vesta and the space tender and they’re very pleased to have gained their freedom but that freedom turns out to be an illusion.
The private planetoid belongs to Vesta’s fabulously rich uncle Wade Ballentine. He lives there alone apart from a surprisingly large staff of Venusians. Brent and Pete are his prisoners while Vesta is his guest.
Brent is suspicious of the whole setup. Wade Ballentine’s story doesn’t add up. Brent thinks that he and Pete and in danger and that Vesta is in even more danger. Brent is a convict but he’s basically a pretty decent guy. He really doesn’t want any harm to befall Vesta. He feels rather protective towards her.
What Brent needs to do is to figure out what Ballentine is up to. Brent has a hunch that whatever it is it’s highly illegal and that Ballentine isn’t going to want any witnesses left alive.
This is space adventure rather than anything approaching hard science fiction but the author is at least aware that a tiny planetoid would have very little gravity indeed. He comes up with some simple technobabble to deal with this and with the problem of providing an atmosphere for what is little more than a smallish asteroid. He doesn’t try to make the technobabble convincing because it’s not necessary. This is an adventure tale and he wants to get on with it.
There’s neither the time not the necessity for any real characterisation. Pete is good-natured and a bit thick-headed. Brent is resourceful, determined and fundamentally a nice enough guy. Vesta is just your basic rich girl although she’s pleasant and rather pretty.
The idea of asteroids being turned into luxury private estates or exclusive resort hotels in space is a reasonably good one. It is implied that one of the attractions of such private planetoids is that they’re outside normal legal jurisdictions.
Hawkins’ prose is basic but serviceable.
Armchair Fiction have paired this title with The Secret Kingdom by Otis Adelbert Kline and Allen S. Kline in a two-novel paperback edition.
Some of the obscure pulp stories Armchair Fiction have unearthed turn out to be neglected gems. Even the weaker ones, such as this, are interesting in giving us a glimpse of the range of fiction published by the pulps. We can appreciate the gems more fully when we can compare them to the run-of-the-mill stories. This is a lightweight pulp story but it’s harmless and at least moderately entertaining. Worth a look but don’t set your expectations too high.
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