Harry Alford, 18th Earl of Chelford, is a pale bookish highly strung young man, the very model of the decadence of a decaying aristocracy. Dick Alford is the unlucky second son of the previous earl. Dick has all the virtues of the aristocracy in its heyday - he’s brave and noble with a selfless devotion to the land, the people and the rich Chelford estates. He has some modern virtues as well. He is intelligent and industrious and level-headed. Alas it seems like none of this is going to do him any good. Harry inherited the estates, the money and the title. Dick inherited nothing. It’s Dick who keeps the estates going but in his own right he has nothing.
Harry is engaged to be married to Leslie Gine, the sister of a prominent local solicitor and the heiress to a vast fortune. The match seems ideal but for one or two problems. Leslie doesn’t love the pale scholarly young earl while Harry is indifferent to her charms. He is indifferent to everything apart from his peculiar obsessions. Four four hundred years the legend has persisted that there is an immense trove of gold buried somewhere on the Chelford estates. Harry hopes to find the treasure but it’s not the gold he wants, it’s something else mentioned in the legend, the elixir of life, brought back to England from the New World in Elizabethan times.
There’s another legend as well, of a sinister black abbot who stalks the estate, the ghost of an abbot murdered many centuries before in scandalous circumstances involving the sort of sexual impropriety that no abbot should have been indulging in.
There is another suitor for the hand of Leslie Gine and he is in a peculiarly favourable position to press his claim. It’s not that Leslie wants to marry Harry. She’d prefer to marry Dick Alford. Dick favours this idea as well but it all seems hopeless and meanwhile there are nefarious schemes afoot for other matrimonial alliances. Everybody has money troubles and they all like the idea of solving those problems by marrying money. The difficulty is in figuring out who actually has money and who just seems to have money.
Everybody wants the Chelford gold as well, and they’re prepared to resort to ruthless methods. Of course the ghostly Black Abbot may also have something to say on the subject. And of course it all leads to murder and mayhem.
The plot is delightfully convoluted and outlandish. There are villains aplenty. Everyone seems to have an ingenious scheme to get what they want but all those ingenious schemes are hopelessly in conflict with each other. Temporary alliances are formed but always with the intention of an eventual double-cross.
The interesting thing about the characters is that they don’t always behave the way you expect them to. Upon reflection they actually behave realistically, but not necessarily in accordance with the conventions of the genre. The plot is melodramatic to a high degree but the villains are not melodrama villains.
Of course given the setting - an ancient manor house and an adjoining ruined abbey - there are secret passageways and hidden chambers and all manner of unexpected perils. This being an Edgar Wallace thriller we’re naturally sceptical about the ghostly nature of the Black Abbot but while he may be no ghost he is certainly likely to be murderous.
It all adds up to great entertainment. Once Wallace reveals the solution to the big mystery the book really kicks into high gear with an exciting and very tense climactic episode which then leads us to the solution of the remaining mysteries.
In 1963 this novel was made into one of the best of the German Edgar Wallace krimi movies, and this movie version of The Black Abbot is one I heartily recommend.
The Black Abbot is non-stop fun, one of Wallace’s best. Very highly recommended.
I bought a few collections of Wallace paperbacks on eBay recently (about 30 or so in total) and this is definitely one of the best so far!
ReplyDeleteYep, The Black Abbot has everything that initially made me an Edgar Wallace fan.
DeleteI would also recommend "The Ringer", "Again The Ringer" (really a collection of short stories about The Ringer, recasting him as an anti-hero or almost a vigilante), and "White Face". "The Joker" has a great twist, and "The Traitor's Gate" was better than I expected - the krimi movie version wasn't one of the best.
DeleteI'm in the mood for more Edgar Wallace. Used codes of White Face and The Joker don't seem too expensive. I might grab them.
DeleteI'm rather fond of The Green Ribbon and The India-Rubber Men both of which I reviewed here a year or two back.
Have you read The Mind of Mr J.G. Reeder? One of my favourites. It was of course made into a superb late 60s TV series (which I reviewed on my Cult TV Lounge blog).
Definitely get "White Face" or "The Joker", buddy.
Delete"The Green Ribbon" is another great one - it's interesting how many times Wallace wrote books where not all the criminals involved are dastardly. I don't think I've read "The India-Rubber Men" but now I will seek it out.
I have of course read the Reeder books lol. I also love the TV series - I recommended it to a friend recently, and now it's his favourite show!
I hadn't realised how many short story collections Wallace wrote - it's a weird but annoying detail that the paperbacks I have bought don't tell you if they are short-story collections or novels!
I've tracked down reasonably affordable copies of both White Face and The Joker.
DeleteI'm hoping you'll like them! I'm reading The Three Just Men at the moment. Extremely good, but I hadn't realised that it was a sequel to The Four Just Men - in fact, it's the fifth book out of six in the series lol
DeleteYes. The Four Just Men was the first of Wallace's books to attract any real attention, way back in 1905.
Delete