Tuesday, September 5, 2017
Ian Fleming's Thunderball
It started life as a treatment for a proposed Bond film in the late 50s which was turned into a screenplay by Kevin McClory and Jack Whittingham. When the film deal fell through Fleming believed there was no reason not to turn the story into a Bond novel, especially given that it was part of the original deal that Fleming should produce a tie-in novel based on the film. McClory and Whittingham disagreed and took Fleming to court. A complicated settlement was eventually negotiated. Thunderball was published as a novel by Fleming, based on a screenplay by McClory and Whittingham, and McClory gained the rights to do a remake of the Thunderball film (which would eventually result in the ill-fated Never Say Never Again). In the midst of the extreme stress caused by the court case Fleming had a massive heart attack.
Unhappy though the experience may have been for Fleming Thunderball is still a fine story. It’s the book that introduces SPECTRE and the most iconic of all Bond villains, Ernst Stavro Blofeld.
A British bomber disappears over the Atlantic, along with two nuclear bombs. A letter is delivered to the British prime minister and the US president, demanding 100 million pounds in bullion. If the bullion is not handed over a major city will be destroyed.
Acting on one of M’s hunches Bond is despatched to the Bahamas where he will be working with his old friend Felix Leiter from the CIA. Bond finds what could be a lead, but it’s a very slender one. If the British bomber went down in the sea near the Bahamas then SPECTRE would have to have a sea-going vessel of some sort. It just so happens that a yacht has recently arrived in port. It’s ostensibly engaged in hunting for sunken treasure, which of course requires just the sorts of diving equipment that could be used to retrieve the two missing nuclear bombs. the yacht is owned by the rather colourful and rather mysterious Emilio Largo.
Largo’s mistress, a beautiful Italian girl named Domino, seems likely to offer the best opportunities for finding out what Largo is up to. The more Bond finds out the more convinced he is that he’s on the right track. It builds to an exciting climax beneath the sea.
Thunderball ticks the right boxes for a Bond novel. Bond makes use of a beautiful woman to uncover the villain’s nefarious scheme, there’s a torture scene, there’s the exotic setting, there’s a threat to Destroy Civilisation As We Know it, the villain is a villain on the grand scale, there’s some cool technology (although there’s not as much emphasis on this as there is in the films), there’s plenty of action, there’s sex, and Bond makes a few mistakes. It’s also typical of the novels (and this is another key difference in comparison with the films) that there’s a slightly dark and very ruthless edge to the story. Bond knowingly and deliberately risks Domino’s life because the job has to be done and she’s expendable. There’s also a hint that there things about the job that Bond doesn’t like at all, such as putting a charming girl’s life in danger.
This was the book in which Fleming started to move away from the Cold War themes of the earlier books. The chief enemy is now SPECTRE, a gigantic criminal organisation, rather than the Soviet intelligence agency SMERSH. Fleming, quite correctly, realised that an obsession with the Cold War would date the books if the Cold War started to fade in significance.
Blofeld appears in the story but he hasn’t yet taken centre stage. Largo is the primary bad guy but it’s clear that both SPECTRE and Blofeld had great possibilities for future books.
As is customary in the Bond books the first encounter between Bond and the chief villain takes place over the gambling table.
As is also customary, there are subtle hints of all kinds of politically incorrect aspects to the sexual relationships.
As you might expect with a story that started life as a film treatment it’s all very cinematic, with action scenes that are ideally suited to become movie action set-pieces.
Largo’s hydrofoil yacht, The Disco Volante (Flying Saucer), is a very cool piece of technology. The hijacking of the nuclear bomber is a superb touch. It’s an idea that McClory claimed was his but Fleming handles it with great skill.
Thunderball is the kind of thing that Fleming did so well, a story that is far-fetched but not too far-fetched. It’s just plausible enough. This is all great fun. Not the best of the Bond books by any means but still highly recommended.