Colin Wilson’s The God of the Labyrinth

Colin Wilson’s The God of the Labyrinth was published in 1971.

Colin Wilson (1931-2013) was one of the most fascinating literary figures of his age. To say that his intellect was wide-ranging would be an understatement. He became a sensation at the age of 24 with his book The Outsider which to a large extent introduced existentialism to the English-speaking world. He wrote on philosophy and on the occult. He wrote crime novels and science fiction.

And he wrote novels like The God of the Labyrinth which are difficult to classify. You could call it an existentialist literary detective story combined with philosophical musings on sex and consciousness.

The first-person narrator is Gerard, a writer who had achieved notoriety with the publication of a scandalous sex diary. Sorme is on a lecture tour in the United States when he is offered a commission by a sleazy publisher to write an introduction to an erotic journal by a moderately obscure Irish rake named Esmond Donnelly. The manuscript Sorme is given is disappointingly brief and with few literary qualities. Sorme had however come across Donnelly’s name is another context a few days earlier. He is a firm believer that coincidences are not coincidences. He feels compelled to accept the commission.

The publisher tells him that he would be delighted if Sorme could find more material. Sorme is convinced that what he means by this is that he wants Sorme to forge the additional material, which Sorme certainly has no intention of doing. Then Sorme discovers that the whole existing manuscript is a forgery. There almost certainly was however a genuine manuscript which may still exist. Tracking down the original manuscript will be an interesting challenge and Sorme is becoming fascinated by Donnelley. In fact he’s becoming obsessed.

Finding the manuscript really does require the skill and patience of a detective. It may be in the hands of Donnelly’s descendants, or in the hands of descendants of various people with whom Donnelly was involved.

Sorme finds a variety of genuine writings by Donnelly, more than enough to justify a book.

The God of the Labyrinth includes copious extracts from Esmond Donnelly’s diaries. Some is mostly interested in the erotic material, not for prurient reasons but for philosophical reasons. Sorme believes that sex can be the key to unlocking elevated states of consciousness and he suspects that Donnelly held similar views. Esmond’s sexual adventures in some ways parallel Sorme’s own. Sorme also sees sexual desire as being driven not by purely physical desire. It’s an attempt to establish some mystic communion with a member of the opposite sex. When a man and a woman have sex it’s much more than a union of two bodies, or at least it can be much more.

We’re often not sure whether we’re getting the opinions of Donnelly or of Sorme or of Wilson. Wilson was certainly interested in ideas similar to those espoused by Donnelly and Sorme.

Sorme finds lots of manuscripts. Some are forgeries, some are not. Some were written by Donnelly and some by others. Donnelly had been associated with some interesting literary figures. Sorme comes to realise that there is more at stake than an erotic diary. Donnelly’s interests ranged well beyond sex, perhaps into more esoteric fields. Sorme keeps coming across references to the Sect of the Phoenix, and even to the Hell Fire Club.

This novel is more than a literary detective story and as it progresses it becomes more and more difficult to be sure exactly what kind of a story this is.

Donnelly becomes an ever more elusive character, and Sorme becomes ever more obsessed.

There’s plenty of sex but it would be misleading to call this an erotic novel. It’s very cerebral and very obscure but it’s always interesting. No-one but Colin Wilson could have written this novel. As a writer he was a one-off and this novel is a one-off. But it is weirdly fascinating and it is highly recommended.