Thursday, July 31, 2025

Norman Lindsay's The Cousin from Fiji

The Cousin from Fiji is a 1945 humorous novel by Norman Lindsay.

Norman Lindsay (1879-1969) was the one genuinely great painter that Australia produced, and he was arguably the finest painter of erotic art of the 20th century. He was also a successful novelist. For my money there were three truly great 20th century humorous novelists - P.G. Wodehouse, Evelyn Waugh and Norman Lindsay.

In 1892 Cecilia Belairs and her 18-year-old daughter Ella arrive in Ballarat, a fairly substantial provincial city northwest of Melbourne. They have just retuned to Australia from Fiji where Cecilia owns a sugar plantation. They move in with Cecilia’s brother George, her sister Sarah, Sarah’s daughter Florence and Grandma. It’s a decidedly odd household.

Cecilia is scatterbrained and has always been very fond of men. Sarah disapproves of what she regards as Ella’s lax upbringing. She is certain that Ella is a wicked girl.

At this point I should explain that Norman Lindsay spent his life battling the wowsers, this being an Australia slang term for moral busybodies and self-appointed guardians of public morality. Many of Lindsay’s novels were banned in Australia. His paintings were controversial. In 1940 sixteen crates of his paintings were burned by U.S. authorities.

In all of his novels he has fun at the expense of the wowsers. The Cousin from Fiji could be described as a cheerfully bawdy novel. There’s no graphic content but all of the characters’ motivations have a great deal to do with sex.

Ballarat is a very respectable little city. The inhabitants attend church regularly. They lead morally upright lives - publicly at least. In private Ballarat is a seething hotbed of frustrated erotic desire. Nobody talks about sex because it isn’t nice, but they think about it constantly.

Ella is desperately keen to experience The Great Mystery - sex. Her biggest worry is that her breasts are too small. She fears this may affect her chances of attracting a man. She makes various attempts to experience The Great Mystery.

The next-door neighbour, solicitor Hilary, is middle-aged but has also yet to experience The Great Mystery. He has high hopes that he can persuade Cecilia to help him to remedy this.

The characters are eccentric, outlandish and absurd but Lindsay isn’t really gratuitously cruel. The unsympathetic characters are not evil. They have failed to embrace life and the sensual joys it offers and as a result they have become sex-starved, love-starved, lonely and bitter. The sympathetic characters are the ones who are trying their best to avoid this fate.

Bicycles play a major part in the story. The 1890s was the high point of the bicycle craze and it’s easy to forget the huge social impact of the bicycle. It offered young men and young women unprecedented freedom and adventure, and a means of escaping family supervision. Bicycles were also remarkably useful for arranging assignations of an amorous nature.

And it’s amusing that Melbourne was the place to go for those seeking sin and debauchery. If Lindsay is to be believed the city was knee-deep in whores.

This is an outrageous and extremely funny novel and while the humour can be quite pointed it’s generally very good-natured. Lindsay never allowed his battles with the wowsers to affect his fundamentally cheerful and optimistic nature.

The Cousin from Fiji is an absolute joy. Highly recommended.

I’ve reviewed two more of Norman Lindsay’s comic novels - A Curate in Bohemia (published in 1913) and Age of Consent (published in 1938). They’re both terrific.

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